Exhibition information
As Deji Art Museum’s flagship permanent collection exhibition, “Nothing Still About Still Lifes: Masterpieces from the World of Flowers Collection” showcases pivotal works from the museum’s World of Flowers Modern and Contemporary Art Collection. Focusing on floral-themed masterpieces from China and abroad, spanning Impressionism to today, the World of Flowers collection builds on over a decade of research and acquisitions by Deji Art Museum to advance a leading, research-driven collection dedicated to floral-themed art. Adopting a cross-cultural and interdisciplinary perspective, the museum re-examines this theme, emphasizing the unique significance of flowers in the development of art history and revealing how they serve as a medium of exchange that transcends time, space, and cultural boundaries, illuminating broader historical and cultural exchanges.
The exhibition’s four chapters—“Cross-Pollination,” “Avant-Gardening,” “Meta-Flowers” and “Breakout Blooms”—each explores a new dimension of the dialectical relationship between “stillness” and “movement” in floral-themed art. Within the dimension of time and space, the global circulation of flower varieties over centuries is accompanied by the cross-cultural exchange of art; in the dimension of species, changes in the relationship between human beings and flower cultivation go hand in hand with artistic creation; in the symbolic dimension, flowers in art embody meanings and emotions that transcend mere representation; finally, in the dimension of transformation, floral-themed art remains a vital arena for artists to test technique and pursue unending renewal.
The exhibition brings together 140 floral-themed masterpieces by 109 artists from worldwide, spanning Impressionism to today. It features renowned modern masters such as Claude Monet, Pierre-Auguste Renoir, Edouard Manet, Paul Cézanne, Edvard Munch, Pablo Picasso, and Henri Matisse; major figures in contemporary art like Andy Warhol, Yayoi Kusama, David Hockney, Anselm Kiefer, Jeff Koons, and Yoshitomo Nara; and pioneering Chinese artists across generations such as Sanyu, Pan Yuliang, Wu Dayu, Wu Guanzhong, Zao Wou-Ki, Chu Teh-Chun, Chen Yifei, and Zhang Xiaogang. Encompassing nearly fifty major movements and groups—including Impressionism, Post-Impressionism, Cubism, Fauvism, Expressionism, Dadaism, Surrealism, Abstract Art, Pop Art, and Conceptual Art—the exhibition traces the evolution and integration of artistic styles and trends, culminating in a grand symphony of art spanning more than a century.
The exhibition introduces a pioneering “story-chain” narrative, with pairs and trios of adjacent works structured to build coherent stories. Centered on the theme of transformation, it reveals how each work marks turning points within artistic movements and mirrors broader shifts in politics, economics, technology, and culture. The exhibition also highlights the remarkable creativity of women artists and their long-overlooked contributions to art history, while the interactive Art–Botany Encyclopedia invites audiences to explore the botanical knowledge behind the works, linking art and science.
Curated by guest curator Dr. Joachim Pissarro, the exhibition has attracted critical acclaim from both domestic and international art communities since its opening in August 2023, and has been hailed by the media as “the most influential floral-themed art exhibition in the past three decades.” In October 2025, building upon the framework established by Dr. Pissarro, the museum team renewed and expanded the exhibition, incorporating two years of new acquisitions and research findings.
“Nothing Still About Still Lifes” is an exhibition that grows and evolves alongside the World of Flowers Modern and Contemporary Art Collection. We hope that audiences will not only appreciate masterpieces of art history here but also experience how art transcends time and space to engage in profound dialogue with contemporary life—thus making art a way of life, a cultural force that embodies the power “to connect, inspire, create, and transform.”
Artists
Eugène Boudin
Camille Pissarro
Édouard Manet
Henri Fantin-Latour
Paul Cézanne
Odilon Redon
Claude Monet
Frédéric Bazille
Pierre-Auguste Renoir
Henri Rousseau
Gustave Caillebotte
Paul Gauguin
Aristide Maillol
Edvard Munch
Suzanne Valadon
Pierre Bonnard
Emil Nolde
Emile Bernard
Henri Matisse
Giacomo Balla
Piet Mondrian
Maurice de Vlaminck
Raoul Dufy
Kees van Dongen
Paul Klee
Francis Picabia
André Derain
Fernand Léger
Pablo Picasso
Georges Braque
Marie Laurencin
Alexander Archipenko
Marc Chagall
Georgia O’Keeffe
Ryuzaburo Umehara
Giorgio Morandi
Max Ernst
Zenzaburo Kojima
Tamara de Lempicka
René Magritte
Louise Nevelson
Alberto Giacometti
Willem de Kooning
Lê Phổ
Wayne Thiebaud
Marie Françoise Gilot
Lucian Freud
Alex Katz
François-Xavier Lalanne
Andy Warhol
Bernard Buffet
Yayoi Kusama
Tom Wesselmann
Fernando Botero
James Rosenquist
David Hockney
Anselm Kiefer
Jeff Koons
Christopher Wool
Jaume Plensa
Yoshitomo Nara
Takashi Murakami
Marc Quinn
Subodh Gupta
Damien Hirst
Rob and Nick Carter
Nathalie Djurberg & Hans Berg
Wang Jiyuan
Yan Wenliang
Li Chaoshi
Wang Yachen
Sanyu
Pan Yuliang
Tao Lengyue
Wei Tianlin
Fan Tchun-Pi
Liao Xinxue
Guan Liang
Ni Yide
Ding Yanyong
Wu Dayu
Zhou Bichu
Chang Shuhong
Lv Sibai
Yee Bon
Qiu Ti
Yun Gee
Pang Xunqin
Georgette Chen
Huang Xianzhi
Wu Zuoren
Hu Shanyu
Li Ruinian
Liu Kang
Lin Dachuan
Sa Dji
Ai Zhongxin
Zhu Danian
Tu Ke
Min Xiwen
Wu Guanzhong
Zao Wou-Ki
Chu Teh-Chun
Lalan
Su Tianci
Hoo Mojong
Huang Yongyu
Chen Yifei
Zhang Xiaogang
*Listed in ascending order by artists’ birth year, and alphabetically by surname for artists born in the same year.
Curator
Joachim Pissarro

Joachim Pissarro (b. 1959) is an art historian, theoretician, and curator.
He has taught at Yale University, Osaka University, Sydney University, before becoming the Bershad Professor of Art History at Hunter College of the City University of New York. He has held curatorial positions at the Kimbell Art Museum, Fort Worth; the Yale University Art Gallery, New Haven; and The Museum of Modern Art, New York. In 2013 Pissarro joined Terry Riley and John Keenen to create the company PARALLEL which focuses on a symbiotic alliance of architectural and curatorial practices. His latest book Aesthetics of the Margins / The Margins of Aesthetics, Penn State University (with David Carrier), follows Wild Art, Phaidon, 2013. His more recent exhibitions include: Crystals in Art: Ancient to Today 2019, Camille Pissarro in 2017. He co-curated with Bernard Picasso Olga Picasso – an exhibition that traveled from the Musée Picasso in Paris to the Pushkin Museum in Moscow, and the Picasso Museum in Málaga. In September 2021, Pissarro curated the exhibition: Jeff Koons: SHINE for Palazzo Strozzi in Florence.
Particular Mention
Artists Rights Society (ARS)
Comité Caillebotte
David Hockney, Inc.
Dr. Fang Weimin, Nanjing Agricultural University College of Horticulture
Fondation Zao Wou-Ki
Historic England
Honolulu Museum of Art
Institute of Botany, Jiangsu Province and Chinese Academy of Sciences
Jeff Koons LLC
Maison et Jardins Claude Monet – Giverny
Mondrian/Holtzman Trust
Musée National Fernand Léger
Museo Nacional Thyssen-Bornemisza
Musée des Beaux – Arts et d’Archéologie de Besançon
Nanjing Institute of Agricultural Sciences in Jiangsu Hilly Area
Picasso Administration
Picasso Museum Barcelona
Réunion des Musées Nationaux – Grand Palais Photo Agency
Royal Collection Trust
Stefano Mancuso, LINV, University of Florence
The Estate of Tom Wesselmann
The Marc Chagall Museum, Vitebsk
Dr. Wang Guoliang, Recipient of the Great Rosarians of the World Award
The Palace Museum
*The list is sorted alphabetically.









