Pivoines, Lilas, Roses et Feuillage dans un Grand Vase

A leading figure in late 19th century Symbolism, Odilon Redon produced almost exclusively lithographs and charcoal drawings that he referred to as his noirs, French for “blacks.” Until 1900, he was known for his macabre, dark style and prints of fantastical subjects. However, from the 20th century onwards, improved living conditions and the birth of his children led Redon to turn to oil painting, returning to colorful still lifes and floral subjects. This work is representative of this period, and the vase in the painting, which appeared often in Redon’s floral works, was made and given to Redon by the potter Marie Botkin around 1900.